On Writing

Writers, editors, agents, publishers and more share their thoughts, experiences and stories.

Photo of Emily Brewin

Emily Brewin's novel 'Hello, Goodbye' was sparked by her aunt’s story of being single, pregnant and Catholic in the 1960s. As part of our Subscriberthon series, we talked to Emily about her writing process.

 

‘Parting words’ is the much-awaited second novel from writer Cass Moriarty, that asks: how well do we really know our parents? As part of our Subscriberthon series, we talked to Cass about her writing process.

'The Girl From Munich' is Tania Blanchard's debut historical fiction novel. It tells the story of Lotte who grew up indoctrinated, at school and through The League of German Girls, to give her all to the Third Reich. As part of our Subscriberthon series, we talked to Tania about her writing process.

Jock Serong's latest book follows the tourist-laden vessel Java Ridge as it encounters the asylum seeker boat Takalar off the coast of Indonesia. As part of our Subscriber-thon series, we talked to Jock about his writing process.

'Australia Day' is Melanie Cheng's engrossing short story collection that won the Victorian Premier’s Literary Award for an Unpublished Manuscript in 2016. The book charters the experiences of everyday citizens and the circumstances that can make them feel stuck, stagnant or alone. As part of our Subscriberthon series, we talked to Melanie about her writing process.

Sian Prior headshot

Understanding the way the imagination fills gaps in your memories can be a productive tool in memoir writing, says Dr. Sian Prior. Ahead of her upcoming workshop, we talked to Sian about embracing the blur between memory and imagination.

Josiane Behmoiras headshot

Writing a memoir is a journey of discovery that involves acknowledging every spectacular defeat and minute victory along the way, says tutor Josiane Behmoiras. Ahead of her upcoming workshop, we talked to Josiane about how the house, in memoir, becomes a container for dreams and aspirations.

Jane Harrison headshot

To ensure well-rounded and non-stereotypical Indigenous characters, says tutor Jane Harrison, the writer must continually question their motives and their writing. Ahead of her upcoming workshop, we talked to Jane about the changing depictions of Indigenous people and stories.

Sam Cooney headshot

When working with industry professionals, be patient, be polite, but don't be a pushover, says Sam Cooney. Ahead of his upcoming workshop, we talked to Sam about how getting published in literary journals can be a great springboard in a writer's journey.

Jo Case headshot

Your memoir needs to have a reason for being, says Jo Case. Ahead of her upcoming workshop, we talked to Jo about why it is important for a memoir to have a central theme.