The Writing Life

Information, inspiration and insights into the writing life

a portrait of Dave Drayton

2019 Summer School: Experimental Writing

NB: What first inspired you in the direction of experimental writing?

A portrait of Claire Gaskin

In this deep dive interview with Christy Tan, Claire Gaskin introduces her theories about language, becoming, and the sensory experience of poetry.

A portrait of Richard Holt

Richard Holt knows about making every word count. Ahead of his Summer School workshop on micro-fiction, he answered some of Nikki Bielinski's questions.

A portrait of Nicole Hayes, three-quarter length, leaning on a wall

'Show, don't tell', is a mantra of good writing, but what does that actually mean? How can you tell when you're telling, and how do you know when you're showing? Steph Downing asked Nicole Hayes to enlighten us.

A portrait of Ailsa Wild

An acrobat, a poet, a whip cracker, and now a tutor with Writers Victoria, Ailsa Wild answered some questions about her books, her practice, and writing for children in preparation for her series of workshops in 2019. 

Writer Karina Ko has won the 2018 Deborah Cass Prize for emerging writers from migrant backgrounds for her manuscript extract ‘Things I used to Believe’.

Chosen from a shortlist of eight, ‘Things I Used to Believe’ was announced as the winner on 5 December at an event in Melbourne.

a portrait of Thuy On

Dinithi Perera interviews Thuy On about criticism in the digital age, the art of reviewing, and and to whom the critic is responsible ahead of her Summer School workshop Reviewing and Literary Criticism.

Sean O'Leary is wearing a dark blue top and using white earbuds

I have schizophrenia of the paranoid variety. I write about it quite a lot, both directly from my experience and not. The title story of my second short story collection was called ‘Walking’. It was about me walking out of the psych ward at The Alfred hospital going to my new accommodation at a boarding house in St Kilda. It was a scary day, given that the CAT team had intervened in my life six weeks earlier to put me in the ward. I didn’t go gently into the good night, but I went.

Vincent Silk stands in front of a cream brick wall. He has short brown hair, brown eyes and is wearing a black hoodie.

2016 Write-ability Fellowship recipient Vincent Silk recently published his novel ‘Sisters of No Mercy’. Diane McPherson interviewed Vincent about his writing and the role the Write-ability Fellowship played.

To help celebrate International Day of People With Disability​, Write-ability is proud to publish 2018 Write-ability Fellow Anthony Riddell’s “speculative non-fiction” work Days of love and E.F.T.P.O.S.

A  prolific writer, Anthony's work is some of the most wildly energetic, seemingly nonsensical writing you will ever read.  As former Write-ability Project Coordinator Harriet Gaffney said when assessing Anthony's fellowship application “it’s a bit like applying an electric current to your brain the way it makes your synapses spark!”